the struggle of precious with non-precious materials is typical of recent years has prepared a new way for ‘young contemporary jewelry’. preciousness nor eternal preservation seems to be important to this new of arty accessories – with its value lying in its communicative potential. the young jewelry , new arrangement of everyday is a sovereign one and provides pieces with a lively expression. the middle of the 20th century, a large part of society of middle class , conservative in their taste and whose ideals were very strong and -rooted, a society little inclined to change its lifestyle or its symbols.
jewelry was often viewed as an emblematic gesture, a sound investment that be passed down through generations. was, however, another part of society ready for renovation. industry and have changed the approach to jewelry by removing its symbolic and value. in a society, where great importance is given to superficiality, has been deprived of any cultural value thus limiting its understanding consequently its distribution. in this context, the pioneers of the contemporary , albeit with some difficulty, had a fertile ground to work on. it represent what it did in the recent past? economy is stagnant, it is that contemporary jewelry is faced with very difficult challenge. it seems to be a restricted matter, among a rather small of people and moves in a limited market, for many reasons including the fact it does not shift a large sums of money. however, it seems the role of nowadays is not determined by whether the field is restricted, but whether designers will be able to maintain and develop this specific sector. people do not understand why something so minimal and simple, made from such as used material, silicone, plastic, glass, and paper should be so ‘. for most people, ‘contemporary’ and ‘the use of poor ‘ is
equivalent to economic.
Tags: braclates, earring, indian jewellery, jewellery, nackelcs, pandent, ring, silverjewellery
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